Visualizing the Iraq War, and the Scary Future of Journalism

I’m not sure how I missed this wonderful act of journalism-by-data visualization produced by Mother Jones magazine.

Titled “Lie by Lie,” it’s the wayleft publication’s “history of the Iraq War.” The project was undertaken, the editors state, “to create a resource we hope will help resolve open questions of the Bush era. What did our leaders know and when did they know it? And, perhaps just as important, what red flags did we miss, and how could we have missed them?”

Why I love this work of journalism [my own political inclinations notwithstanding]:

1. It’s nothing fancy, hardly a data visualization at all. It’s essentially a timeline navigation of information on the Iraq War. The only visual grace note is the roulettey spin of the date slider as you move it around. But the tool is functional: It permits navigation of the same data by topic, tags or search. It engages and it works.

2. It is an aggregation of content reported by others. This is a great example of curation, of journalism by assembly. Clearly, smart people knowledgeable about public affairs paid close attention to a huge amount of information, made careful selections and used available digital technology to make it accessible and flexible in a way no print publication could.

3. It proves you can advance a political agenda with digital journalism just as easily as you can in the analog world. Edit, select, tweak, ignore. . .and you can assemble your own version of history, just as certainly as the wingnuts at The Washington Times or the pinkos at the New York Times.

4. By virtue of its form, it surfaces new understandings that a reader of the original reports would not achieve. For instance, noodle around with the “Dick Cheney” taq and you’ll discover, right at the top, this entry dated . . . over 15 years ago:

Secretary of Defense Dick Cheney, speaking to the Discovery Institute in Seattle, says the first President Bush was right not to invade Baghdad: “The question in my mind is how many additional American casualties is Saddam worth? And the answer is not very damned many. So I think we got it right, both when we decided to expel him from Kuwait, but also when the president made the decision that…we were not going to go get bogged down in the problems of trying to take over and govern Iraq.”–Aug. 14, 1992

But even as it offers a great example of digital journalism, “Lie By Lie” raises troubling questions about same.

Most of the information is drawn from reports that appeared in the New York Times, the Washington Post, the L.A. Times, Knight-Ridder, the New Yorker and many more. Yes, some bloggers made significant contributions. But it’s hard to imagine there would be much of a record of events to assemble without mainstream journalism’s (eventual! shame-faced!) commitment to digging for facts about the runup to Iraq.

The rub: This original reporting cost a fortune. It was produced under the old, dying model of journalism, wherein investigative reporting is funded by advertisements for cell phones, new subdivisions, mattress-chain mega-sales, designer clothing, and so on.

It’s important to remember that for all their swashbuckling highbrow bravado, the authors of New Yorker articles write on the back of designer vodka ads.

As Mother Jones has shown, people who are passionate about telling a story have powerful new tools at their disposal to do so. But without high-quality content–difficult, time-consuming, intellectually demanding, butt-numbing, sometimes actually dangerous reporting–the tools are just toys.

And who will pay for that reporting as we glide forward into the age of paper-free journalism?

Pour yourself a designer vodka and think about that one.

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2 Comments on “Visualizing the Iraq War, and the Scary Future of Journalism”


  1. […] Es como dice Craig Stoltz: Por virtud de su forma, [la historia de Irak] presenta nuevas interpretaciones del tema. […]


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