Writers’ Strike: Imminent Proof that Web Video is Hideo
As regular readers of this blog [both of you!] know by now, I am bearish on Web video. More specifically, I think the idea that people will watch many half-hour or hour-long TV-style programs on their computers is bull. I believe it’s a hopeful, consensual group delusion among VCs, broadcasters, and 2.entrepreneurs.
And so for purely selfish reasons I hope the writers’ strike against TV production companies continues. Why? As the strike goes on and broadcast fare dries up, several things are likely to happen:
1. Services like Hulu, NBC/News Corp’s platform for delivering standard TV content, will face an early test of value as online delivery mechanisms for network television content. Hulu is still in carefully guarded beta, so the data certainly won’t be conclusive. Similarly, Joost, is just launched and still awfully content-thin. But you can view plenty of broadcast video online at NBCDirect (also beta) or just off the main NBC website. There are other similar opportunities for online episode viewing at various broadcasters’ and programs’ sites. And YouTube is loading up on “real” TV content. The key question: Will TV viewers turn to these services as the writers’ strike continues and broadcast and some cable content goes gray? My guess: No.
2. Projects like QuarterLife [the MySpace series of 8-minute minisodes that’s pretty much about web video, from the creators of thirtysomething] will get an early proof-of-concept opportunity. Will folks who have turned away from the rerun-rich plasmatron go online to view even this program, which is crafted so specifically for online users and for this moment in time? Word just came out that the series will run on “real” NBC in January, so the online version will get a boost from the established broadcast medium. I still foresee no huge audience for it.
3. We’ll find out how many sofa spuds generally really do boot up their computers as the reruns continue. This will provide some data to test the widely accepted hypothesis that TV viewership is down because viewers are spending the time on the web instead.
My self-serving prediction: The remote control operators in the household will stay right on the couch and simply watch more “unwritten” cable, premium movie channels and on-demand content. The beneficiaries of the writers’ strike won’t be Hulu, Joost, YouTube or other web video schemes. They will be the The Discovery Channel, History Channel, the BBC, TVland, Survivor (it’s still on TV, really!), the Biggest Loser, and local cable systems’ on-demand fare.
Oddly enough, if I am right, the whole strike is meaningless anyway. It’s based on the idea that web users in huge, monetizable numbers will view half-hour and hour-long broadcast content on their computers.
Which means either I am wrong–at least a 50-50 chance, I’d say–or that those writers are out there pressing for a fair chunk of revenues that may never come.